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Apocalypse? What Apocalypse? by Graeme Copland

25/7/2025

 
My bloodshot, crusted eyes flickered open and I slowly became accustomed to the gloom.

I slept, if you can call it sleep, standing in the corner of a classroom in a derelict school next to upturned desks and blood-spattered white-boards. I watched as others, standing next to me, some close, others a little away, made rasping sounds as they breathed, staring into nothing. We stood, not as one, not supporting or knowing each other but simply en-mass, waiting for something, something to happen, something to direct us. A sound, perhaps. A light. I don’t really know. It’s just a feeling.

As the daylight outside faded to black, I wanted to escape from this dead building. I pushed past someone and he growled but then returned to his stupor, staring, panting. I shuffled outside and I smelled the air. Nothing but ash and dirt, rotting corpses and dried blood. There was nothing I wanted here. Nothing I needed.

I moved further into the vast black night. There were no street lights anymore. Just darkness. Nothing moved. The streets were empty, devoid of anything of value. Just some burnt out cars and abandoned lorries. A school bus lay on its side; half burned with a charred body in the driver’s seat. A long-dead husk of its former glory.

My walking was impaired. I shuffled, jerking from one foot to the other. A dance of death, you could say. I smiled at my little joke. It won’t be a pretty smile as I’ve lost some teeth. I cannot recall how I lost them. I just did. It may have something to do with the hole at the back of my head. But I can’t be sure.

What was that? A sound. A voice? I tried to listen and locate the direction. There! There it is again. I smelled the air and, sure enough, I smelled meat. Fresh meat, at last. I started to shamble and shuffle in the direction I think the meat is located.

But I am not alone. I heard the snarls and howls of my room-mates behind me. They have also heard the sounds and are coming towards me from different directions as rivers flow to the sea. All are moving now, jerking, lunging, growling, starving. All wanting the source of the sound so they can bite, tear, hack, kill.

Eat.

I will get something, of that, I am sure. At least, I won’t die of starvation. It’s much too late for that.
​

Lights, Camera, Action, by Nelly Shulman

25/7/2025

 
“She has certainly been around the block.”
Tying the ribbons around the bunches of meadow flowers, I painted on a beatific smile.
“Not a nice thing to say about the bride, is it?”
Melissa, my co-founder and trustworthy booze partner, just shrugged.
“You can’t deny her age, my dear.”
The said bride, surrounded by a retinue of oohing and aahing girlfriends, was now striking a seductive pose for the photographer on the stone terrace, decorated with billowing white silk curtains. According to the grandfather clock in the corner of the dining room, we were moving according to schedule:
11:00–11:30 – Guest arrival and welcome cocktails and mocktails


11:30–12:00 – Glam photoshoot on the terrace. Bride outfit change


12:00–13:00 – Sit-down lunch in the Marble Room. Three-course meal followed by a choice of desserts.


I could rattle off the rest of the schedule by heart—from the garland-weaving after lunch to another photo set in the vintage-like dresses made especially for the occasion, to boating on the river and a hot-air balloon flight before sunset.
The gods had taken care of the perfect June weather for today, and tomorrow, after a spa morning, the bride would be driven to a picture-perfect postcard church to say her vows.
“I shouldn't have involved you in this account,” I said, placing another bouquet in the antique porcelain vase.
Melissa looked positively shocked.
“Because I once dated her current fiancé? Judith, that was donkey’s years ago!”
“Still…”
I tilted my head, listening. An indignant voice rang out from the terrace.
“You simply cannot tell me to move! I’ve done countless photoshoots back when you were still playing with a plastic camera in kindergarten!”
“What seems to be the problem?” I peeped out onto the terrace.
The girl photographer looked ready to cry. Hannah was towering above her—her rangy ex-top-model frame taut and eager for action. She flicked a blonde curl off her reddened cheek.
“I know where to stand and sit! I’ve been on more magazine covers than the number of years you’ve been alive!”
She pointed at the photographer. I gently took her hand—the one with the almost invisible scar from the cut she sustained when we were kids and she broke the glass door on the porch to let me in after I’d locked myself out and cried in terror.
“Just trust me, sis,” I whispered. She mouthed, I will, but tell her I know best. And by the way, tell Melissa not to dart away from me like a scared rabbit. I know about their affair, but Michael chose me, not her.
I just raised an eyebrow. Hannah always remained Hannah.
I winked at the photographer, who now seemed composed, and my older sister ordered:
“Lights, camera, action!”

Time Flies, by Steven Lemprière

18/7/2025

 
Time travel. The subject of science fiction. But for Günter, it was something he often undertook, journeying to far-flung destinations when seeking to add to his collection. A horophile with impeccable taste, but equally, one lacking the means to finance an outrageously expensive obsession, he was the custodian of an unrivalled number of timepieces. Wristwatches and pocket watches with multiple complications, but always one more than originally designed—the means of acquisition.

All but one of his collection, showcased a luxury watchmaker’s craft; each example highly sought after, if not by other collectors, certainly by their owners or the insurance companies that settled the loss. The joker in the pack, a world-war II B-Uhr. A Luftwaffe pilot’s watch. His first timepiece, which despite its modest monetary value, was perhaps the most cherished among his hoard.

Strangely, a supremely confident Günter had once been an anxious adolescent. A nervous tic saw him mocked at school. ‘Tick-Tock’, a nefarious taunt fermented by Bruno, a high school classmate, was especially hurtful. The subsequent disappearance of Bruno’s treasured wristwatch, his grandfather’s, a wartime Heinkel pilot, settled a score and sparked Günter’s horological obsession. Its procurement, a sortie that, even to this day, elicits a buzz, when compared with the far more valuable Patek Philippe, Breguet and Rolex examples he possessed.

Günter amassed his collection, now worth millions of Swiss francs, his home currency, at little financial cost when compared to its present day auction value. Incidental expenses best described his miserly outlay. Finders’ fees paid for inside information, hotel, and transportation costs, the full extent of his limited investment in pursuing the objects he so desired.

Vacheron Constantin was a notable omission from Günter’s collection, an irritation that required soothing. Only one Chronometer Royal 4907 had ever appeared at auction, and both the number produced, or their whereabouts, remain unknown. Günter had received a tip-off about another example, this one belonging to a South American arms dealer based near Bolivia’s constitutional capital, Sucre.

‘Sweet’, he thought. Repatriating a timepiece to the land of its birth was always a rewarding experience, but for it to be liberated from such an unsavoury character made it doubly so.

Bags packed. He’d a plan. Travel time.

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