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A Lunchtime Walk To Nan Shin Temple, by Ian Fletcher

26/8/2016

 
Picture
On my walk from the new high school
built to serve the expanding suburbs
of this great modern city of Taichung
it is a humid ninety-three degrees
a sweltering day in central Taiwan
without the mercy of a cooling breeze.
Crossing the wasteland to the temple
which sits there in splendid isolation
a jewel glimmering in the midday sun
I am Coward’s archetypal Englishman.
 
In the courtyard several stray dogs doze
owing their lives to the care of the monks
benign masters to whom all life is sacred.
This venerable temple is deserted today
though it hasn’t always been this way
for three centuries ago it was the heart
of a community of farms and villages
long since vanished and the worshippers
who once toiled in surrounding fields
lie beneath the soil in unknown graves.
 
I enter and pausing before the shrine
stand under the statue of Mazu’s gaze.
As her ever open eyes meet mine
I have a sense the goddess smiles
compassionately and welcomes me
with the serene look of eternity.
Leaving the temple the distant city
shimmers insubstantially in the haze
the world now seeming impermanent
and my daily life unreal and transient.
 
The whole afternoon and beyond
I am haunted by this lonely temple
and imagine the goddess Mazu
looking forever on day after day
long after I have passed away.


Bobby Warner
28/8/2016 04:56:17 am

A wonderful prose poem, Ian. I believe the Chinese would say "Heng hou!" And I, in my limited Chinese vocabulary, say "Shay shay, ni! for sharing it.

Ian Fletcher
28/8/2016 05:51:54 am

'Bu Ke Chi!" Thanks for the comment, Bobby. Yes, I was wondering how effective the more prosey bits are, so it's nice to receive positive feedback. I put a few rhymes and half rhymes in along the way and some metrical lines to make it flow, and debated whether I should have done that for the whole poem, but I quite like the mixture in 'reflective' poems.


Comments are closed.

    Poetry

    This is the section where fiction prose becomes something else. We still expect the poems to be short, though – sonnets, perhaps, or around that length at the very most.

    Poems submitted should be
    no longer than 160 words
    and contain
    no more than 16 lines.

    100 words remains the approximate target...

    AND SO THEREFORE:
    We have decided
    We really don't like haikus
    They're not proper verse.


    Please submit using the Poetry Submissions Page.


    Please feel free to comment (nicely!) on any poems – writers appreciate it.
    Just at the moment, though, we're moderating some of them so there might be a slight delat before they appear.

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