It carries the weight of his words lightly while its symbols mirror his intended intonations with fluid agility.
The varying width of its capitals, its slim E and S, for instance, differ intriguingly from the stodgy widths of other fonts.
As do its low-key lowercase stress and letterforms.
And, its italics are pure, not oblique or slanted roman like in other practical-looking sans serifs.
It is wonder then that I can neither resist the lure of his font nor the sorcery of his words?